The central determine within the French drama “Suzanna Andler” is a lady for whom ardour, tragedy and indecision elicit the identical response — a shrug. Her voice by no means raises; her face not often betrays her feelings. She speaks to her buddy, her husband and her lover in the identical monotone. Even a increase of the eyebrows is just too lively for this inert movie.
Suzanna (Charlotte Gainsbourg) is the stylish spouse of a rich businessman. He neglects her, or they neglect one another, and in Suzanna’s leisure time, she has taken a youthful lover, Michel (Niels Schneider). The movie takes place in a single afternoon, as Suzanna contemplates renting a summer time residence together with her husband’s cash.
Michel comes to go to, and his presence pushes Suzanna to contemplate pending choices that hang-out her. Ought to she lease the home? Ought to she go away her husband? Ought to she drink herself to dying? Who cares?
“Suzanna Andler” is an adaptation of a play by the author Marguerite Duras, greatest identified in cinema for her contributions to the screenplay of the 1959 movie “Hiroshima, Mon Amour.” The director Benoît Jacquot’s interpretation of Duras’s disaffected characters leads him to maintain his pictures indifferent. Pans and zooms present the identical dispassion that his characters profess. Lovers kiss, and the digicam strikes away from the motion.
It’s a check of endurance to look at these glass collectible figurines focus on their romantic entanglements, the doll home on the Riviera that they are going to perhaps lease, the bourgeois marriages they are going to perhaps go away. Even the digicam appears bored, as if it would wander away.
Not rated. Working time: 1 hour 31 minutes. In theaters.