October 27, 2021

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‘No Time to Die’ | Anatomy of a Scene

‘No Time to Die’ | Anatomy of a Scene

“Hello. I’m Cary Fukunaga, and I’m the director of No Time to Die. On this scene, now we have Daniel Craig, taking part in James Bond, narrowly surviving a lethal assault by Specter on the Tomb of Vesper Lynd. This was a kind of fascinating conditions the place the places drove the inspiration for story. So I went on a scout journey with Mark Tildesley, our manufacturing designer, and Linus Sandgren, cinematographer. And I actually liked this bridge in Gravina. It appeared like the proper place to run a stunt. We had a drone, and we have been flying the drone across the bridge to see, what might we do with it? Might he leap off, probably? It may very well be an ambush website. So we simply actually designed the motion sequence to the places that we have been discovering. This sequence was shot on IMAX, which additionally meant that the actions of the cameras, the benefit with which we might cowl a number of angles, was hindered by the variety of cameras we really had. The IMAX cameras are large. I imply, the type of cameras whenever you decide them up, it makes you need to swear. However typically we simply needed to do the stunt over and over and simply transfer the digital camera round, since you solely had two, possibly three, working IMAX cameras on the time. Which isn’t quite a bit, usually, whenever you’re overlaying a giant stunt. Usually, you’ll have 5 cameras positioned all over. So we needed to be very, I’d say, surgical about how the digital camera moved, what number of takes we might do earlier than we have been working out of time. We see him attempt to outsmart them and outrun them, however they get a way of the place he’s headed. We do a Texas change. And mainly, you see Bond on digital camera. And as we pan over, it’s really a stunt double working in, not Bond, to deal with Primo on the bike. After which, after we reduce up nearer, we do this in a single take. So all of the punches should land completely in order that it appears like every one is definitely connecting when, in actuality, there was security and area between them.” “Blofeld sends his regards.”

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