January 20, 2022

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Glimmerglass Pageant Unveils Its Chief’s Ultimate Season

Glimmerglass Festival Unveils Its Leader’s Final Season

Subsequent summer season, the Glimmerglass Festival of opera and music theater in Cooperstown, N.Y., will return indoors in full power for the farewell season of its creative and common director, Francesca Zambello, the pageant introduced on Friday.

Zambello, 65, who can also be the creative director of Washington Nationwide Opera and an impartial stage director, can have led Glimmerglass for 12 seasons when she leaves. In an interview, she stated it was the precise second “for a web page flip,” and that since she has been with the Washington firm for much less time, “I made a decision to increase my contract and dedicate myself there.”

“A part of my coronary heart is tremendous unhappy, however I additionally suppose I don’t wish to repeat myself,” she added. “I don’t wish to be a type of folks. I simply need new challenges.”

Among the many hallmarks of her tenure at Glimmerglass have been the addition of authentic youth operas every season; an initiative at Attica Correctional Facility; a broadened repertoire that features Broadway musicals, live performance programming and new works; and the introduction of high-profile artists in residence reminiscent of Christine Goerke, Eric Owens and, for the 2022 season, Denyce Graves.

Graves is scheduled to direct a brand new manufacturing of Bizet’s “Carmen” throughout subsequent summer season’s pageant, which can run from July 8 by way of Aug. 21. Will probably be one thing of a homecoming for this mezzo-soprano: Carmen was one of her signature roles. Graves can also be set to reprise her efficiency from this previous summer season’s outside premiere of “The Ardour of Mary Cardwell Dawson,” Sandra Seaton’s play in regards to the founding father of the Nationwide Negro Opera Firm, with music by Carlos Simon.

The 2022 program additionally features a new manufacturing of Rodgers and Hammerstein’s “The Sound of Music,” initially scheduled for 2020 however postponed due to the pandemic; the premiere of “Tenor Overboard,” a Rossini pastiche with a e book by Ken Ludwig, the Tony Award-winning playwright of “Lend Me a Tenor” and “Loopy For You”; and a double invoice of Kamala Sankaram and Jerre Dye’s “Taking Up Serpents” and the premiere of Damien Geter’s “Holy Floor,” with a libretto by Lila Palmer. (Sankaram, the pageant’s composer in residence subsequent summer season, additionally wrote the season’s youth opera, “The Jungle E-book.”)

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