“I appreciated that I might do one thing that made different individuals scared,” she recollects of discovering her voice. “I appreciated discovering that I — who academics typically needed to ask to repeat my reply a number of occasions, my voice was so quiet — might fill a room with sound.”
There are many tales nowadays about what it’s to be a lady noticed by the “male gaze.” It’s a phrase Anna and her associates would little question use, if the at-times heavy-handed dialogue about tampons as “capitalist,” or Latin because the “language of the patriarchy,” is any indication. (Anna’s roommate is writing a guide she describes as a “feminist deconstruction of the connection between women and men within the web age.”)
However Anna will not be solely an object of that gaze; she really begins to mildew herself into it — starting to see herself, interpret herself, worth herself, by way of how she perceives Max perceiving her.
“Taking a look at myself bare within the mirror, I’d attempt to see it how he would,” she says.
“I felt he was finding out me too intently, appraising my value, like I used to be a chunk of jewellery he was contemplating shopping for.”
“I craved his look, and after I was away from him, I missed it.”
In a few of these moments, “A Very Good Woman” is an all-too-real reminder of what it’s to be a lady in your 20s, trying to find who you’re, attempting on identities or caught in a sophisticated pseudo-relationship even when you realize you shouldn’t be. It’s a guide about assessing your value by way of different individuals’s eyes — dad and mom, associates, a lover — and about being noticed: by an overprotective mom, by males on the tube, by those that assess her auditions, by classmates competing for her slot, and finally by the viewers. And but, for the energy of Crimp’s writing, it may need benefited from a much less predictable plot. Susceptible younger lady alone in a brand new metropolis, seduced by an older, richer man who seems to be sort of a jerk … readers could also be dissatisfied to seek out there’s no actual twist right here — until, after all, you rely that Anna should lose the man to get herself again.