RUN TOWARDS THE DANGER
Confrontations With a Physique of Reminiscence
By Sarah Polley
One of the vital quietly completed movies I’ve seen in current a long time is the 2006 unbiased function “Away From Her.” Tailored from an Alice Munro brief story, it depicts a long-married couple grappling with the spouse’s advancing Alzheimer’s and the chasm of reminiscences the dementia concurrently dredges up and erases. Its author and director is Sarah Polley, a Canadian artist who was 27 on the time and who had been a well known baby actor, showing at age 8 in Terry Gilliam’s “The Adventures of Baron Munchausen” after which starring within the hit sequence “Street to Avonlea.” How “Canada’s sweetheart,” as Polley got here to be recognized, had grown so rapidly right into a filmmaker whose inventive imaginative and prescient was as far past her years because the characters she’d put onscreen (Julie Christie obtained an Oscar nomination for “Away From Her,” as did Polley’s script) was a query I requested myself greater than as soon as within the ensuing years.
Polley’s authorial debut, “Run In direction of the Hazard,” does nearly as good a job of answering that query as something most likely might. In six sprawling but meaty essays, Polley, now 43, recollects a life during which taking part in the roles of kids was obligatory and almost fixed (her first performing job was at age 4) however truly being a baby was regarded an pointless encumbrance for all concerned. Born right into a theatrical household, she was 11 when her mom died, after which her father, who “prided himself on ‘not being a father,’” retreated right into a solipsistic funk. Along with her a lot older siblings lengthy out of the home, Sarah determined at 14 she was grown up sufficient to depart residence and, by 15, was residing together with her 19-year-old boyfriend. The next summer time, she started a residency on the Stratford Pageant taking part in the lead in a manufacturing of “Alice Via the Trying-Glass.”
The guide’s opening essay, “Alice, Collapsing,” is concerning the distress of the Stratford manufacturing, one during which Polley, who’s by now well-known on tv however new to theater, develops such debilitating stage fright that finally the “concern turned to insanity, and I actually went by the wanting glass.” She can also be affected by scoliosis, a analysis she obtained shortly after her mom’s dying and has been left to handle kind of on her personal. Having postpone an inevitable however not-yet-urgent surgical procedure, Polley turns into so determined to stop the present that she finagles a medical excuse and schedules the process as rapidly as potential, leaving an understudy scrambling to take over her function.
Polley devotes a number of pages to the 10-hour surgical procedure and prolonged restoration. It’s telling, nonetheless, that essentially the most gut-punching element of this essay is the truth that Polley’s departure from “Alice Via the Trying-Glass” brought about a subsequent run of the present to be canceled. When Polley wins a $500 prize from the Stratford Pageant for “greatest newcomer,” she leaves the money in an envelope for a castmate who had been relying on the cash to purchase a carpet to cowl the chilly flooring of her daughter’s bed room. “I couldn’t look anybody within the eye,” Polley writes of her grownup colleagues. “I had value them their winter revenue.”