It’s the Highest-Profile Challenge of an Earnest Tenor’s Career

It’s the Highest-Profile Problem of an Earnest Tenor’s Profession

“I can truthfully say I wouldn’t have minded singing it as soon as elsewhere, with out this highlight,” Polenzani mentioned, including: “I’ve resisted setting myself in a single class, although, as a result of the breadth of my profession has been broad by way of the repertory I’ve sung. You’ll be able to have a sound argument for any half you wish to sing, if it’s in your soul.”

And he praised his colleagues, together with the Met’s music director, Yannick Nézet-Séguin, who’s conducting, in addition to the orchestra and refrain; a solid that additionally contains Sonya Yoncheva, Étienne Dupuis, Jamie Barton and Eric Owens; and the manufacturing’s director, David McVicar, who will even stage “Medea” subsequent season.

At its 1867 premiere in Paris, the five-act “Don Carlos,” tailored from a play by Schiller, was deemed too lengthy. Verdi reluctantly agreed, and oversaw quite a few revisions, in addition to an Italian translation as “Don Carlo.” For many years, in probably the most sweeping intervention, the work’s first act was typically lower, and the 4 remaining acts often given in Italian.

In 2010 at the Met, Nézet-Séguin led the five-act model (in Italian). Ever since, he has been angling to current the French “Don Carlos” on the home. Because the plans for this new staging shaped, Nézet-Séguin considered Polenzani for the title position, regardless that he had by no means sung it, in both language.

“Matthew Polenzani is likely one of the best tenors of our time,” Nézet-Séguin wrote in an e-mail. “Matthew was excellent for Don Carlos as a result of it’s a task of infinite nuance and subtlety, with such a assorted vary of emotion and expression, which might play precisely to Matthew’s qualities.”

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