Entertainment
Jonathan Franzen’s ‘Crossroads,’ a Mellow, ’70s-Period Heartbreaker That Begins a Trilogy
Like Franzen himself at instances, within the public enviornment if not on the web page, Russ is so insupportable and so uncool, such an ungainly apparition from an earlier period, that you simply sense him on the verge of redemption, of popping out the opposite facet. Franzen’s cultural scenario these previous twenty years generally jogs
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