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An Artist Who Disavows the Risk of Particular person Company
THE FIRST BRISK day in September discovered the conceptual artist Agnieszka Kurant perusing Thomas Edison’s lesser-known innovations in West Orange, N.J. Waffle irons, mimeographs, film cameras and batteries lined a protracted, creaking corridor of the laboratory turned museum, nevertheless it was a blond doll in a blue costume that drew Kurant’s gaze. The doll reached
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